The ungraspable coexists on the irreconcilable eve between what we understand by the eye and the observed object, the senses <givers of abstraction> unfold in a rigid contemporaneity that misappropriates the judgment of pictorial works, a place where photography is not left aside . The stain, accepted as a record, has acquired rigid meanings that idealize the transmutation of a real world on paper or digital media. We have bowed to the idea that reality can be faithfully represented in the image, we have crystallized the view and lost the original body, that dance between what we call light, and what we call shadows.